Welcome, this is a collaborative blog, a place for artists to come together and share their passion for encaustic painting.
What is Encaustic?
Encaustic is the name for both a painting medium of wax and a painting process involving heat to apply and fuse the medium. The name Encaustic comes from the greek enkaustikos which means to burn in. Heat is used throughout the encaustic painting process.
Here you’ll learn about encaustic painting techniques & tools. Whether you’re a beginner learning to paint with encaustic or an experienced artist, I invite you to add your comments to share your knowledge and inspiration about art and All Things Encaustic.
Encaustic Wax Painting Tips, Product Reviews, & Tutorials for Beginners and experienced artists alike
50 years of Art! July 8,9,10 2011 Nathan Phillips Square Toronto The Toronto Outdoor Art Exhibition is a juried art showcase that takes place every July at Toronto's Nathan Phillips Square. This weekend approximately 300 artists are exhibiting their work in the following categories: painting, watercolour, drawing, digital media, printmaking, sculpture, photography, ceramics, jewellery, fibre, glass, metal, wood and mixed media. Coincidentally we started and ended our wander through the exhibits with encaustic! When we arrived at the first booth I recognized the work of Artist Laura Culic. We saw Laura's work back in March at The ...Read More
Shellac gives different patterned effects depending on the amount of time it is allowed to dry. Wet shellac ignites and burns. Before trying a wet shellac burn with encaustic please read the safety precautions for using shellac with encaustic. The video below demos a wet shellac burn I did. Here I demonstrate for you a step-by-step process for doing a wet shellac burn on an encaustic painting. How to do a shellac burn on encaustic I started with raw pine board (it was cheaper than birch) Primed the board with encaustic gesso Drawing on the primed board First coat ...Read More
It has been a week since I was at the 5th International Encaustic Conference. Last Sunday (June 5th) I attended Lorraine Glessner's demo on Branding with Heat and Fire. Lorraine's demo was about burning paper and wood as collage elements or as underpaintings for encaustic work. If you are attempting these techniques yourself, make sure that you have a working fire extinguisher close at hand and take proper safety precautions so that you don't burn yourself. Lorraine demonstrated burning techniques on paper, but all of these techniques can work equally well with fabric. The paper or fabric ...Read More
Patterned Effects & Visual Texture with Gregory Wright Last week Artist Thea Haubrich posted new Encaustic work on Facebook. In this painting, she used a shellac burn technique to create beautiful gold clouds. I was intrigued and I wanted to know how to use shellac with encaustic myself. Fortunately, I didn't have to wait long! Fast forward one week to Day Two of the Fifth International Encaustic Conference and Gregory Wright's presentation Patterned Effects and Visual Texture. Gregory Wright gave a great demo using Dry Pigments and working with Shellac in encaustic painting. His presentation and handouts ...Read More
Today is the first day of the Fifth International Encaustic Conference. This year's conference is being held in Provincetown. Provincetown is known for its beaches, harbor, artists, tourist industry, and its status as a gay village. Commercial Street is a colourful narrow one-way street with more pedestrians, bikes, and pedicabs than cars lined with shops, restaurants and galleries. Provincetown is wonderful! Monotype Marathon Session Never having seen monotype in person I was thrilled to attend the Monotype Marathon --- three back-to-back sessions from three encaustic monotype masters. Dorothy Furlong-Gardner who pioneered encaustic monotype thirty-five years ago, gave ...Read More
Play is such an important, yet not often talked about aspect of creativity. It became apparent to me at a crucial point in my artistic career that if there is not an aspect of play during the time that I'm involved in a piece, then it isn't going anywhere. Play allows for letting go, and loosening the grip on the brush. This is what I aim to do in my encaustic workshops, by creating a place where letting go is encouraged ...Read More