I’ve taken five encaustic workshops with Andrea Bird and, in each class, there is always someone who hasn’t learned this technique. Everyone has the same wonderful reaction as the paper comes away from the wax and the ink is left behind.
Tips for successful photocopy transfer:
- use images with a high level of contrast
- ensure the images you’re using are toner based – from a photocopy machine, a laser printer or a magazine. Ink jet printers won’t give you good results
- for a complete transfer make sure the wax surface is smooth – a transfer over texture will be broken where the toner couldn’t get into the groves of the wax
- if the wax is slightly warm from fusing you will get a better transfer
- when you place your image face down it will transfer in reverse so you may wish to reverse the image before you print it
6 how-to steps for photocopy transfer in encaustic art
- Place the photocopy face down on the wax – wax should be cool or slightly warm but not soft
- Place a piece of vellum paper over the transfer
- Now you want to rub thoroughly all over the image to burnish the photocopy into the wax. Use the back of a spoon moving gently in small circles. Thoroughly burnish the entire image. If you miss a spot the transfer will have a hole in it
- Lift off the vellum
- Dip your finger into water and start rubbing in circles. The paper will start to dissolve as you add water. When the water dries you may see fragments of paper. Just add more water and continue to rub more until all of the paper has dissolved
OR dip a cotton ball in nail polish remover and rub it on the back of the transfer. The paper will start to wrinkle when it has separated from the toner. Instead of dissolving the paper by rubbing you can just pick up one corner and peel it away from the painting leaving the toner on the wax. SAFETY PRECAUTION! If you use nail polish remover wash it thoroughly off before fusing.
- If the transfer is on the top layer you can just gently fuse, you don’t have to put a top coat of wax. If you fuse with a blow torch use a dip in and pull away motion to lightly fuse. If you use a heat gun, keep it moving and don’t go too close to the surface of your artwork. An embossing heat tool is a lower temperature heat gun and you may have more success with it. Stop before the image begins to distort.
If you want a hands-on demonstration, check out encaustic workshops with Andrea Bird.
- Introducing Encaustiflex - April 17, 2017
- How to sign an encaustic painting - April 7, 2017
- 3 products for managing your encaustic griddle or palette - December 29, 2016
- How to Build your Creative Confidence - October 4, 2016
- Using Inks in Encaustic art - September 27, 2016
- Creative Practice | Journalling - September 5, 2016
- Marvelous Molds and Encaustic - August 29, 2016
- Pearl Ex Pigment Powder and Encaustic - July 4, 2016
- Sinking In: strengthening the conversation with our art and ourselves - June 26, 2016
- R&F Pigment Sticks in Encaustic - June 12, 2016