Creative Process & Inspiration

When students come to an encaustic workshop with a pre-planned project and high expectations that they will be taking home a fabulous and finished work of art, they often don’t

Unlock your Creativity | Start Copying As I explore creativity in my own life, I have been reading Steal Like an Artist: 10 Things Nobody Told You about Being Creative by Austin Kleon.

As I drove to day two of the “Sinking In” workshop with Andrea Bird, I listened to a TED talk of David Kelley (see below) discussing how to build your creative confidence. He

Journalling scares me. If you have read my previous post, Sinking In: strengthening the conversation with our art and ourselves, you’ll know that I have always shied away from the idea

For the past two days, I’ve been “sinking in”, exploring the artistic process with Andrea Bird and five other students. I knew that a workshop at The Hive, Andrea & Dan’s

Play is such an important, yet not often talked about aspect of creativity. It became apparent to me at a crucial point in my artistic career that if there is not an aspect of play during the time that I’m involved in a piece, then it isn’t going anywhere. Play allows for letting go, and loosening the grip on the brush. This is what I aim to do in my encaustic workshops, by creating a place where letting go is encouraged.

In the last part of 2009, my friend and fellow artist, Anne Smidt sent me an enthusiastic email asking if I wanted to be a part of a new project,